Keanu full movie 2016 series#

Keanu full movie 2016 series#

There, the tiny furball winds up on the doorstep of Rell (Peele), a pot-smoking underachiever who, having just been dumped by his girlfriend, embraces the kitten as a divine offering and christens it Keanu.Īnd why not? Much like the actor whose name he borrows, kitty Keanu makes an effortlessly expressive camera subject and requires no dialogue - only a nimble physicality and a series of cute, quizzical reaction shots - to thoroughly magnetize the screen. The lone innocent bystander is the aforementioned kitten, who through some miracle of CGI rendering manages to survive, dodging bullets left and right in slo-mo, and even winning over the brothers’ cold, black hearts before escaping and making its way to the suburbs of Los Angeles. That tendency is apparent in the opening sequence, in which the notorious Allentown brothers (imagine darker, longer-haired, more offensive versions of the Salamanca cousins from “Breaking Bad”) stage a bloody attack on a church where drugs are being secretly manufactured. “Keanu,” by contrast, is one flabby tabby that seems to be overstaying its welcome at the half-hour mark, and leans heavily thereafter on over-the-top violence whenever it’s clear the jokes aren’t landing. That the movie reteams a number of collaborators from Comedy Central’s “Key and Peele” - including director Peter Atencio and screenwriters Peele and Alex Rubens - would seem to bear out the notion that their distinctive brand of double-edged satire is best served and consumed in five-minute sketches. The Warner Bros./New Line release debuted as a “work-in-progress” at SXSW ahead of its planned April 29 release, though it would take more than a few technical tweaks to significantly improve what feels, at the moment, like 100 minutes of hit-or-miss comic purr-gatory.

Enjoyable for a good 15 minutes or so, mostly due to the scene-stealing powers of the adorable, much-coveted kitty whose name gives the movie its title, this is otherwise a stale, repetitive effort whose one-joke premise - two suburban buddies forced to pass themselves off as gangsters in a grimy underworld where they clearly don’t belong - never achieves comic liftoff, much less the richly subversive dimensions typical of Key and Peele’s best work. A two-hour online cat-video binge would yield as many “awws” and probably far more laughs than “ Keanu,” an initially amusing but fatally overstretched action-comedy that marks a lamer-than-expected big-screen outing for Keegan-Michael Key and Jordan Peele following the conclusion last year of their frequently brilliant cable series.